Herbert Bayer’s Chromatics : “a pure artistic theory”

Citation data:

Master's Research Papers

Publication Year:
2009
Usage 58
Abstract Views 58
Repository URL:
http://digitalcommons.du.edu/art_mrp/284
Author(s):
Desmond, Jillian M.
Publisher(s):
Digital Commons @ DU
Tags:
Bayer, Herbert, |d1900-1985 -- Criticism and interpretation, Color-field painting, History of Art, Architecture, and Archaeology
paper description
This paper examines the roots and properties of Herbert Bayer’s chromatic paintings completed between 1966 and 1976. This series of paintings is grounded in advanced theories of color and geometry, first introduced to Bayer as a young architecture apprentice and later developed at the Bauhaus. An investigation of Bayer’s mature reassessment of those early Bauhaus teachings in color theory and the development of his own color system is the underlying focus of this paper. The purpose of this study is to shed light on the significance of the chromatics that have received little attention to date.

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