« Un acte où le hazard est en jeu »
2021
Metric Options: CountsSelecting the 1-year or 3-year option will change the metrics count to percentiles, illustrating how an article or review compares to other articles or reviews within the selected time period in the same journal. Selecting the 1-year option compares the metrics against other articles/reviews that were also published in the same calendar year. Selecting the 3-year option compares the metrics against other articles/reviews that were also published in the same calendar year plus the two years prior.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Article Description
For Mallarmé, chance can be defined as an ontological and anthropological fact, but the poet’s originality lies in the fact that he also defines chance as a quasi-transcendental modal category that conditions and allows every symbolic production. This implies that to abolish chance (the oft-stated project of Mallarméan poetics) is the same of performing chance itself: this proposition surprisingly situates Mallarméan poetics in relation to the chance it plans to abolish and allows us to understand the paradoxical meaning of the negation envisaged. Such an attempted negation forms a system with a set of strategies that aim to signal the contingent status of the poem. It is thus part of a pedagogy aimed to fight the illusionary wanderings of the language, while at the same time laying the foundations of a poetics of the performativity which initiates a deep change in the conceptions of what poetry is or can accomplish.
Bibliographic Details
Provide Feedback
Have ideas for a new metric? Would you like to see something else here?Let us know