A Character Study of Two Trouser Roles For Mezzo-Soprano In Opera: "Cherubino" From W. A. Mozart's Le Nozze Di Figaro and "Octavian" From R. Strauss's Der Rosenkavalier
1984
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
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- Usage846
- Abstract Views442
- Downloads404
Thesis / Dissertation Description
Trouser roles are roles in opera in which women portray young men. These roles present a special problem for the singer-actor - the problem of performing a character through transvestism.This thesis is a study of two popular trouser roles for mezzo-soprano. It addresses the general history of trouser roles and the specific characters of "Cherubino" from W. A. Mozart's Le Nozze di Figaro and "Octavian" from R. Strauss's Der Rosenkavalier. The study analysis of these two roles incorporates the history of the characters as reflected through the development of librettos in which they appear, a character study focusing on acting and technical problems for the performer, and musical analysis relevant to the understanding of these two trouser roles.
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