Reading: Toi Derricotte
1998
- 19Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
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Artifact Description
In this audiovisual recording from March 26, 1998 as part of the 29th annual UND Writers Conference: “the use of [HISTORY],” Toi Derricotte reads a selection of her work. Derricotte reads “Early Memory: The California Zephyr” and “Lightning Bug” from The Black Notebooks and engages the audience in a dialogue about racism and racial stereotypes, and the poems “Tender,” “Not Forgotten,” “The Touch,” and “The Body Awakening” from the collection Tender, and “Delivery” from Natural Birth. Derricotte also responds to audience questions about facing the difficulties of history and her technical craft. She closes by singing “Deep Song” by Billie Holiday.Introduced by Sheryl Saunders.Note: A portion of this reading wasn't recorded.
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