Mixed Fabric: Ghanaian Identity in Contemporary Ghanaian Fashion and Design
2014
- 324Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage324
- Abstract Views214
- Downloads110
Paper Description
Methodology: I resided in Accra for the beginning portion of the ISP time, where I interviewed shopkeepers and laypeople about their opinion on Ghanaian fashion. I then traveled to Kumasi for five days, where I interviewed Professors of Textiles and Design at KNUST. I also interviewed recent graduates of the Textile program. When I returned to Accra for the remainder of the ISP period I talked to more designers and salespeople.Findings: My findings were a compilation of all the interview results that I gathered throughout the ISP period. I found that Africa Print fabric played a crucial role in Ghanaians asserting their identity, and the Ghanaian-ness of their clothing. I found that the designers tried to actively use it, and all the other lay people tried to wear it often. I found that Ghanaians are very proud of their clothing as well.Conclusion: I believe that Ghanaians are trying to reclaim the Ghanaian-ness of their fashion by using Africa Print.
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