Joy Steinberg '81 and Brian Gale '81 (BardCorps)
2020
- 35Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
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- Usage35
- Abstract Views32
- Downloads3
Audio Description
Both Joy and Brian entered Bard through the Immediate Decision Plan. Brian’s father was initially reluctant to send him to Bard (he had heard Bard was “a pretty communist place” and said “no way, no how”, but a New York Times article about Leon Botstein made a great impression. Brian talks about how his experience studying film at Bard informed his career path: “I kind of was more of a working man kind of guy and I wanted my friends that knew nothing about the latest in film criticism to like my films, and I found out that if I made them really short, no one would be all squirmy in their chairs. And then when it was done they were happy ... and it turned out that there was this industry called advertising where you spend lots of money making really short films called television commercials.” He also recounts Adolfas’ criteria for critiquing films: “There’s only two ways to judge, in this case, a motion picture: does it work, or does it not, and that’s it.”Joy spent time exploring the campus and found that “Bard was one of the places that allows me–allowed me to learn how to enjoy being by myself… When I think about Bard, I think about being outside and usually I’m alone.” She also remembers a day she shared with Brian at Bard when they shared a bottle of tequila, which slowly became three bottles over many hours. (They note that the drinking age was 18.) Friends came and went all day, sipping slowly and sharing ‘incredible conversations’ about “everything.” Joy describes this as a ‘mindwalk’ saying ‘it was a perfect day of expanding your brain.’
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