Presence through Expressive Arts and Buddhism
2020
- 939Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage939
- Downloads690
- Abstract Views249
Thesis / Dissertation Description
There is increasing research suggesting presence as the foundation of therapeutic work with clients and is becoming just as important a concept as theoretical orientation of therapists. This literature review focuses on understanding the skill of presence by looking at existing literature on the concept and suggests expressive arts and meditative practices as a tool to cultivate therapeutic presence. Using the Geller-Greenberg model of Therapeutic Presence as the foundation, I answer two questions in this thesis, what presence means conceptually and how therapists can achieve presence when working with clients. By its very nature, Expressive arts therapy with its focus on poiesis and imagination cultivates presence and engages individuals on a multisensory level. Similarly, daily meditative practices connect individuals to their inner thoughts, feelings and resources to respond to the environment and interact with others. All of these aspects are shown to foster presence and during this research I created a daily practice of beginning my day with my Buddhist practice followed by 30 mins of engagement in some creative process. Though, I explored my personal relationship to arts as an expressive arts therapist and a Buddhist meditative practice as ways to become present with clients, I view presence as an essential skill that can be cultivated through various practices and rituals.
Bibliographic Details
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