It’s a Boys’ Club, Isn’t It?: One Dimensionality in Portrayals of the Female Rocker
2017
- 57Usage
Metric Options: CountsSelecting the 1-year or 3-year option will change the metrics count to percentiles, illustrating how an article or review compares to other articles or reviews within the selected time period in the same journal. Selecting the 1-year option compares the metrics against other articles/reviews that were also published in the same calendar year. Selecting the 3-year option compares the metrics against other articles/reviews that were also published in the same calendar year plus the two years prior.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage57
- Abstract Views57
Lecture / Presentation Description
Motti Regev states in his article “Artistic Value and the Case for Rock Music,” “Women are rarely accorded the status of “great” rock artist…” (94). In this paper I will argue that the reason for women’s lack of credibility as rock artists stems from society’s ingrained belief that women can only be one dimensional. I will use examples of how rock critics and the media downplayed female rock artists such as Sister Rosetta Tharpe, Betty Davis, Joni Mitchell, Carole King, Tina Turner, and Alanis Morissette by limiting them to a singular label (i.e. “angry,” “sexy,” etc). By comparing their experiences to their male counterparts I will explore how gender affects the way society allows male rock musicians to be multifaceted yet denies the same for women.
Bibliographic Details
Provide Feedback
Have ideas for a new metric? Would you like to see something else here?Let us know