Rogues, rakes, and lovers: A comparative study of Thomas Killigrew's Thomas; or, The Wanderer; Aphra Behn's The Rover; or, The Banish't Cavaliers; and John Philip Kemble's Love In Many Masks
1993
- 111Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage111
- Downloads76
- Abstract Views35
Thesis / Dissertation Description
This study centers upon a dramatic analysis of three different English dramatic periods, playwrights and their inter-linked plays. The works are: Thomas Killgrew’s Thomaso, or The Wanderer (1656); Aphra Behn’s The Rover, or The Banish’t Cavaliers (1677); and John Philip Kemble’s Love in Many Masks (1790). Of the tree works, Behn’s play received the most recognition; nonetheless, different critics and scholars have accused her of plagiarizing Killgrew’s closet drama. Throughout the course of this thesis an evaluation will be constructed to disprove the validity of that charge by observing specific scenes, the tone of mood, and the characters with particular attention given to the lead female roles.
Bibliographic Details
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