Artist Talk: Fernando Orellana
2023
- 35Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
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- Usage35
- Downloads20
- Abstract Views15
Book Description
Fernando Orellana, whose piece Voice is featured in the center of the Berman Art Museum's Essential Work exhibition, joins us virtually to discuss his poignant work.The robotic picketers in Fernando Orellana’s Voice occupy space in silent resistance until a museum visitor presses the blinking red button reading, “RESIST HERE,” setting in motion 30 seconds of vigorous, cacophonous protest. Prompted by the visitor’s intervention, the robots, gears whirring, disrupt the quietude of the space, hoisting political signs aloft that read: “DO WE LOOK LIKE ALIENS,” “IMMIGRANTS ARE AMERICA,” and “WE ARE HUMAN.” However, the robots are not human; they are mechanical surrogates for the human bodies they represent, acknowledging the precarious position of migrants, especially when speaking freely and forcefully.At the same time, the visitor’s gesture is revealed as passive and short-lived, as they either press the button again to continue the agitation, or move along, suggesting the degree to which labor in general, and dissent in particular, are increasingly mediated by technology.
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