Racial Inclusivity in American Music Festival Culture: Who is it excluding?
2022
- 29Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage29
- Abstract Views28
- Downloads1
Thesis / Dissertation Description
The American music festival industry is a highly developed market which continues to progress even now. This currently expanding market is exponentially larger than it once was at the origins of American music festival in the mid 20thcentury. While the American music festival industry may be a booming business, especially with the recent alleviations of COVID-19 restrictions, one thing that large scale and local companies are not considering is the impact race has on this market, both collectively and individually. While it may appear as though a fun form of music appreciation and recreational activity is not racially biased or discriminatory, it is relevant and necessary to search for a definite confirmation of this in order to provide research to support the betterment of the domestic music festival industry. This essay assumes the task of determining the relationship between race and the individual’s music festival experience.
Bibliographic Details
Encompass Digital Archive, Eastern Kentucky University
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