Representations of the interregnum and restoration in English drama of the early 1660s
Review of English Studies, ISSN: 0034-6551, Vol: 60, Issue: 244, Page: 255-270
2009
- 3Citations
- 76Usage
- 2Captures
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
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Metrics Details
- Citations3
- Citation Indexes3
- Usage76
- Downloads74
- Abstract Views2
- Captures2
- Readers2
Review Description
The plays staged in London immediately after the Restoration are often said to reflect an unqualified royalism. In fact these plays are guarded and ambivalent in their politics, so that they may appeal to spectators who occupied various social levels and held often opposed political opinions. Where the Restoration appears specifically, it appears within the ordinary world of comedy, and always accompanied by some qualifying element that would have provided comfort to its victims. © The Author 2008. Published by Oxford University Press 2008; all rights reserved.
Bibliographic Details
http://www.scopus.com/inward/record.url?partnerID=HzOxMe3b&scp=68849108927&origin=inward; http://dx.doi.org/10.1093/res/hgn041; https://academic.oup.com/res/article-lookup/doi/10.1093/res/hgn041; http://academic.oup.com/res/article-pdf/60/244/255/4539676/hgn041.pdf; https://huskiecommons.lib.niu.edu/allfaculty-peerpub/842; https://huskiecommons.lib.niu.edu/cgi/viewcontent.cgi?article=1841&context=allfaculty-peerpub; https://dx.doi.org/10.1093/res/hgn041; https://academic.oup.com/res/article-abstract/60/244/255/1601259?redirectedFrom=fulltext
Oxford University Press (OUP)
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