I'm Not a Robot
2024
- 76Usage
Metric Options: CountsSelecting the 1-year or 3-year option will change the metrics count to percentiles, illustrating how an article or review compares to other articles or reviews within the selected time period in the same journal. Selecting the 1-year option compares the metrics against other articles/reviews that were also published in the same calendar year. Selecting the 3-year option compares the metrics against other articles/reviews that were also published in the same calendar year plus the two years prior.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage76
- Downloads50
- Abstract Views26
Thesis / Dissertation Description
My dystopian short film "The Ballad of Viktor GRC-01" seeks to tap into the essence of animation as a humanist art form, a distorted mirror to reality rendered in pencil. The mark making and compositions more closely resemble German expressionist woodcuts, or early 20th century comic strips with stark contrasting monochromatic ink blotches and screen tones. Character dynamics are implied through staging and body language as opposed to dialogue, and based off the assumption of the audience being willing to fill in their own gaps of meaning in the ambiguity, not dissimilar to a receptive audience to abstract modern art. The soundtrack, composed of synthesized local field recordings and vintage drum machine and keyboard samples, evokes a human spirit imbued into technology as well as being a throwback to the soundtracks of the science fiction and thriller cinema of the 1980s.
Bibliographic Details
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