Will the Real J.G. Ballard Please Stand Up?
2024
- 266Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage266
- Downloads250
- Abstract Views16
Thesis / Dissertation Description
This dissertation examines the longer works of British colonial author James Graham Ballard. Specifically, it attempts to answer the long-deflected question posed over the decades to Ballard regarding the treatment of female characters in his fiction. Though espousing liberal feminist ideals at times, Ballard’s repeated use of the lamia/damsel archetype, often in the same female character, strongly suggests he believed otherwise. Using predominantly radical-cultural feminist criticism as a critical lens, specifically the works of Ballard’s long-time nemesis Andrea Dworkin, this study focuses predominantly on the thematic tetralogies of Ballard’s fiction: the ecological disasters of the 1960s, the “techno-barbarism” of the early 1970s, the faux messiah stories that stretched from the mid-1970s into the 1990s, and the final thematic period of detective fiction that dominated the final years of Ballard’s literary career. With Ballard’s two “autobiographies,” Empire of the Sun and The Kindness of Women (and the establishment of the lamia archetype in the Vermilion Sands short story collection published in tandem with the ecological disaster novels), female characters in Ballard’s fiction resemble Dworkin’s nightmares made manifest as they become the sexual equivalent to Chekov’s revolver. Ballard’s feet must be held to the flame, even if posthumously.
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