Plato. Spider-Man and the Meaning of Life
2005
- 258Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage258
- Downloads130
- Abstract Views128
Book Chapter Description
Some versions of mysticism have taught that the ordinary world around us is sacred and wonderful, that the meaning of life is to be found not through some extraordinary knowledge or awareness, but in appreciating what already surrounds us. I believe that both Spider-Man comics and Plato’s dialogues offer exactly this deep vision, and that they introduce us to it in some remarkably similar ways. I cannot do any kind of justice here to the richness of either set of works, or to the variations of style and meaning within each of them. Instead I shall focus only on four interconnected themes they share. Both sets of works foreground sexual aspects of life. They both emphasize the inadequate, shadowy dimensions of our lives and a need to get beyond those limitations. Both prominently include a great deal of self trivialising humour. In Plato this humour is typically ironic, in Spider-Man it is typically flippant, and both connect with more serious ironies. And they both present their themes centrally and incompletely through sensory images.
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