Remnants of us: Collective dance-making as multi-art form praxis
Journal of Emerging Dance Scholarship
2018
- 146Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage146
- Downloads101
- Abstract Views45
Article Description
The Australian dance theatre collective, Remnant Dance, was established with a vision to ‘create, make, connect’ through artistic practice and performances. Remnant Dancers have generated unexpected social networking and community development whilst exploring connectivity through dance in the collective environment. In particular, during 2015/2016, Remnant Dance ventured into ambitious creative territory by inviting 22 artists from the fields of music, contemporary dance, and visual/multi-media arts to collaborate in response to fragments of literary texts, matched with wines. The project, winery psalms–the mixed half-dozen, generated six short, multi-art form pieces which were installed/performed on site at a winery, inviting audiences to experience viscerally a sensory connection through visual, aural and kinaesthetic (wine-tasting/responding to site-specific installations) mediums. An innovative venture for Australian artists and audiences, the collaborations extended creative practices that consider how artwork is seen as a commodity for consumption, challenging audience engagement with (assumed) boundaries that constitute performing art works.
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