How Bong Joon-ho uses Genre: Subverting Expectations in Memories of Murder, The Host, and Parasite
2022
- 4,613Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage4,613
- Downloads3,579
- 3,579
- Abstract Views1,034
- 1,034
Thesis / Dissertation Description
In his films, Bong Joon-ho uses or subverts western genre conventions in order to package and tell specific Korean stories. Looking at Memories of Murder, (2003) The Host (2006), and Parasite (2019), this thesis examines what genre Bong is exploring, what he is conveying, and what kind of impact these films have on the international cinematic stage.
Bibliographic Details
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