Escaping into the Creative Imagination: A Case Study of James J. Guthrie and the Pear Tree Press
2018
- 289Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Metrics Details
- Usage289
- Downloads227
- Abstract Views62
Article Description
This paper focuses upon the collection of works by Scottish printmaker James J. Guthrie (1874-1952) housed in the University of Kentucky Libraries Special Collections Research Center. The collection includes numerous prints, drawings, and book plates from the Pear Tree Press, the private press Guthrie operated in England from 1899 until his death. My research will in part analyze the influence of the Romantic period in Guthrie’s work, particularly that of William Blake, as well as the connection between Guthrie’s own creative autonomy and the Romantic movement’s notion of poetic genius. It will examine this revival of Romantic poetry in comparison to the emerging modern fantasy genre within the first half of the 20th century, asking how these parallel forms of escapism inspired by nature and folklore give their respective creators access to cultural roots within a post-industrial, modernized world.
Bibliographic Details
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