The Cosmological Liveliness of Terril Calder's The Lodge: Animating Our Relations and Unsettling Our Cinematic Spaces

Citation data:

Studies in American Indian Literatures, ISSN: 0730-3238, Vol: 29, Issue: 4

Publication Year:
2017
Usage 5
Abstract Views 5
Repository URL:
https://cupola.gettysburg.edu/esfac/96
DOI:
10.5250/studamerindilite.29.4.0001
Author(s):
Monani, Salma
Publisher(s):
University of Nebraska Press
Tags:
Animated films; film editing; storytelling; Native Americans; indeigenous peoples; motion picture industry; animated cartoons; ethnography; Environmental Studies; Film and Media Studies; Indigenous Studies
article description
I first saw Métis artist Terril Calder's 2014 stop-frame feature, The Lodge, an independently made, relatively small- budget film, at its premiere at the ImagineNative Film + Media Arts festival, held annually in Toronto, Canada. The feature-length animation played to a full house at the Light-box Theater downtown. Many were there to attend the five-day festival, which is dedicated to Indigenous media made by and for Indigenous people. Others were there because as members of Toronto's general public they wanted to catch a movie during a night out in the city. Since then The Lodge has shown at various other independent venues. It isn't what you might think of as commercial fare. Its audiences are not huge. (excerpt)