Le Concert et la Tournée. Perspectives sur la Direction de Concerts Albert Gutmann

Citation data:

Vol: 4, Issue: 2

Publication Year:
2016
Usage 196
Downloads 135
Abstract Views 61
Repository URL:
https://docs.lib.purdue.edu/artlas/vol4/iss2/4
Author(s):
Corbière, Laetitia
Tags:
Intermédiaires musicaux; circulations; histoire transnationale; sources; identités nationales; Arts and Humanities; Cultural History; Diplomatic History; Music
article description
In the nineteenth-century, transformations in the musical economy led to the development of international tours, and the appearance of the first managers for artists. By analyzing the business strategies of Albert Gutmann in Vienna, Munich and Paris, this paper will show that such impresarios, in order to move from their local institutions to the international arena, had to adapt to the tastes and habits of each audience. Professional middlemen had a decisive influence on these aesthetic choices and, in the context of European tours, they contributed to the reassertion and strengthening of national identities on the musical stage.