Performing protest in Jamaica: the mass media as stage

Citation data:

International Journal of Media & Cultural Politics, ISSN: 1740-8296, Vol: 4, Issue: 2, Page: 163-182

Publication Year:
2008
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Repository URL:
https://docs.rwu.edu/fcas_fp/187; http://www.ingentaconnect.com/content/intellect/mcp/2008/00000004/00000002/art00003
DOI:
10.1386/macp.4.2.163_1
Author(s):
Hume Nicola Johnson
Publisher(s):
Intellect; DOCS@RWU
Tags:
Jamaica; civil society; media; performance; politics; protest; television; Arts and Humanities
article description
Contemporary citizen activism, especially street protests and demonstrations, can hardly be imagined without the mass media to amplify and sustain its message as well as mobilise a following and encourage support. The attendance of news media at the site of protest campaigns also exerts a powerful influence on their overall functioning and management and particularly on the performance of protestors. Using empirical data from Jamaica and drawing on aspects of Douglas Kellner's (2003) work on media spectacle, I explore this acute interdependence between popular protest and popular media; the varied and multiple ways in which the news media, particularly television, are integral to the performance of protest in Jamaica, how protestors manoeuvre themselves, and deploy spectacle to secure their interests within the media spotlight. Conversely, I explore the media's coverage and treatment of protest and protestors and what impact, if any, this may have on how protestors are driven to perform them.