Teatralidad, globalidad y tecnología en el siglo XXI

Publication Year:
2012
Usage 2059
Downloads 1926
Abstract Views 133
Repository URL:
https://ir.lib.uwo.ca/etd/643; https://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=1833&context=etd
Author(s):
Ávila Becerril, Luz Andrea
Tags:
Teatralidad; Cirque du Soleil; Robert Lepage; La Fura dels Baus; tecnología; neobarroco; Arts and Humanities; Other Theatre and Performance Studies; Spanish and Portuguese Language and Literature
article description
The development of a spectacular theatricality that may reflect the aesthetics of a neobaroque society is the outcome of a long process. As any complex system, theatricality endures thanks to its ability to adapt and being resilient. Factors like globalization, research, scientific aproach and risk management have been needed for the theatricality to reach the level we enjoy now. The 3 cases I analyze here (Cirque du Soleil, Robert Lepage and La Fura dels Baus) are good samples of the state of art of the 21st century theatricality and give us an idea where this human expression could be going in the future.