O espaço entre – A fotografia de Majida Khattari
ARS (São Paulo), ISSN: 1678-5320, Vol: 11, Issue: 21, Page: 32-41
2013
- 790Usage
Metric Options: CountsSelecting the 1-year or 3-year option will change the metrics count to percentiles, illustrating how an article or review compares to other articles or reviews within the selected time period in the same journal. Selecting the 1-year option compares the metrics against other articles/reviews that were also published in the same calendar year. Selecting the 3-year option compares the metrics against other articles/reviews that were also published in the same calendar year plus the two years prior.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Article Description
A artista marroquina Majida Khattari utiliza a fotografia, as instalações e os desfiles de moda como uma provocação/reflexão sobre o papel do véu no universo muçulmano e no imaginário ocidental. Na série de fotografias denominada Orientalismes, a artista recria os quadros de Delacroix de uma forma subversiva. A relação com a obra do pintor ultrapassa a mera questão temática e pode ser aprofundada. Paul Jamot, ao falar da obra de Delacroix na Documents nº 5, de 1930, diz que qualquer tema, nas mãos do artista, converte-se numa forma de revelação e numa visão trágica, tanto nos gestos desesperados de homens em luta, como na aparente lassidão das jovens cativas. O uso das imagens orientalistas de Delacroix, por Majida Khattari, absorve o sentido trágico e absorve ainda a ideia da imagem como meio de eternizar e universalizar gestos quotidianos. Os véus que, na sua obra, escondem e desvelam, funcionam como mecanismos que tornam visível o que se quer ocultar. Este é o procedimento utilizado nos seus desfiles-instalações, que criam a delimitação de um espaço ambíguo entre eu e o outro. Entre o que se vê e o que se mostra.
Bibliographic Details
https://www.revistas.usp.br/ars/article/view/64454; http://dx.doi.org/10.11606/issn.2178-0447.ars.2013.64454; http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202013000100032&lng=en&tlng=en; http://www.scielo.br/scielo.php?script=sci_abstract&pid=S1678-53202013000100032&lng=en&tlng=en; http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202013000100032; http://www.scielo.br/scielo.php?script=sci_abstract&pid=S1678-53202013000100032; https://dx.doi.org/10.11606/issn.2178-0447.ars.2013.64454
Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA)
Provide Feedback
Have ideas for a new metric? Would you like to see something else here?Let us know