Reframing Japanese animation’s success in the late 1970s: UFO Robo Grendizer at the origin of the first anime boom in Italy and France
Journal of Italian Cinema and Media Studies, ISSN: 2047-7376, Vol: 7, Issue: 1, Page: 3-33
2019
- 7Citations
- 13Captures
- 2Mentions
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Article Description
In most contributions on the history of Japanese animation overseas, the main focus is on the success of the series or movies; on fans and their practices; on piracy; etc. At times, however, researchers ought to use different frameworks. It is here that the analysis of creative industries can step in. Here a concrete case is reconstructed. In 1978, the animated series UFO Robo Grendizer (1975-77, Toei Doga) was broadcast in Italy and France. Its success led to a great amount of merchandising, media coverage and a public debate. Its impact paved the way for hundreds more anime series. The article discusses the role of the traders involved in the transactions between Toei Doga and European producers. It will be demonstrated how a few intuitional individuals took their chances in a, back then, growing and competitive television market, and placed a show that ignited a cultural and commercial boom.
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