Semiótica de la imagen: símbolos, marcas y significación (Semiotics of the Image: Symbols, Brands, and Signification)
SSRN, ISSN: 1556-5068
2019
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Article Description
In the face of contemporary visual culture evolution, semiotics of the image, as a discipline and domain, evolves accordingly. This trend epitomizes a series of improvements in visualization technologies so as to create new images that represents the explosive variation of cultural expression worldwide. Cultural semiotics in general and the semiotics of the image in particular seizes on the progress achieved by biosemiotics, a field that dredges up the unevenness of Nature as an immense book of signs. From the works of F. de Saussure and C. S. Peirce onwards, we are able to expound and interpret the relation between signifier and signified in a myriad of signification objects. This paper retakes the main concepts that encompasses the semiotics theory and the principles of semiotic meaning making and also offers a reflection about the subject matter in connection with U. Eco´s statements and linkages with the philosophy of language.
Bibliographic Details
http://www.scopus.com/inward/record.url?partnerID=HzOxMe3b&scp=85113980403&origin=inward; http://dx.doi.org/10.2139/ssrn.3333952; https://www.ssrn.com/abstract=3333952; https://dx.doi.org/10.2139/ssrn.3333952; https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3333952; https://ssrn.com/abstract=3333952
Elsevier BV
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