Modo del Relato (Acción, Relato, Discurso, 2.4) (Narrative Mood (Action, Story, Discourse, 2.4))
Acción, Relato, Discurso: Estructura de la ficción narrativa (Salamanca: Ediciones Universidad de Salamanca, 1998)
1993
- 1,700Usage
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Example: if you select the 1-year option for an article published in 2019 and a metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019. If you select the 3-year option for the same article published in 2019 and the metric category shows 90%, that means that the article or review is performing better than 90% of the other articles/reviews published in that journal in 2019, 2018 and 2017.
Citation Benchmarking is provided by Scopus and SciVal and is different from the metrics context provided by PlumX Metrics.
Paper Description
Spanish Abstract "Acción, Relato, Discurso" es un tratado sistemático de narratología estructuralista. La sección "Modo del relato" analiza desde el punto de vista semiótico dos dimensiones de la estructuración narrativa: 1) las modalidades de la 'distancia narrativa', que van desde la dramatización y la mostración directa a los diversos tipos de representación mediada y narrativizada; 2) la perspectiva narrativa, entendida como focalización o punto de vista tomado como referente experiencial para estructurar el relato. Examinamos las relaciones entre perspectiva y gramática, así como las diversas teorías desarrolladas por los narratólogos sobre la perspectiva narrativa. English Abstract "Action, Story, Discourse" is a systematic treatise of structuralist narratology. The section on "Narrative Mood" provides a semiotic analysis of two dimensions of narrative structure: 1) The modes of 'narrative distance', ranging from dramatization and immediate 'showing' to a number of mediated and narrativized modes of representation ('telling'); 2) Narrative perspective, understood as focalization or the point of view taken as an experiential organizing center for the structuring of the narrative. The paper examines the relations between perspective and grammar and comments the main theories of narrative perspective developed by narratologists.
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